A celebration of the last great era of the cinematic sex siren - a time when the cultural revolution resulted in unprecedented liberation in the treatment of nudity on screen.The Sixties and Seventies was an era when actresses were not ashamed to be associated with the tag of 'Sex Goddess' or 'Sex Siren' and were not embarrassed to exploit their beauty and bodily charms to enha...(展开全部)

A celebration of the last great era of the cinematic sex siren - a time when the cultural revolution resulted in unprecedented liberation in the treatment of nudity on screen.The Sixties and Seventies was an era when actresses were not ashamed to be associated with the tag of 'Sex Goddess' or 'Sex Siren' and were not embarrassed to exploit their beauty and bodily charms to enha...(展开全部)

It is 1922 and Dr. Alan Twist, an authority in the occult sciences and the paranormal, has been invited by the lord of Cranston Manor in a remote corner of Cornwall to investigate a series of hauntings. His journey is interrupted by the shrill cries of a young woman. Everyone in the region believes that it is cursed by a siren, who emits Banshee calls. If they are heard by two ...(展开全部)

It is 1922 and Dr. Alan Twist, an authority in the occult sciences and the paranormal, has been invited by the lord of Cranston Manor in a remote corner of Cornwall to investigate a series of hauntings. His journey is interrupted by the shrill cries of a young woman. Everyone in the region believes that it is cursed by a siren, who emits Banshee calls. If they are heard by two ...(展开全部)

For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou's account of cinema. He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value ...(展开全部)

For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou's account of cinema. He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value ...(展开全部)

★★★直木賞、《池袋西口公園》作者石田衣良，獻給所有男女，描繪身心靈到達頂點的感動短篇★★★ 性愛，就像是身處黑暗時看到的一絲溫柔光亮。 而比起赤裸裸的視覺影像，鉛字更要好上數十倍。 文字不只是能觸動肉體的表面，更能自由來去內心深處；還能超越無法跨越的男女高牆。 若性愛只是單純的黏膜接觸，那實在沒什麼大不了。性愛最重要的就是，究竟能在那段時間裡，在內心與身體之間穿梭往返幾百次。 不論我們在人生中的哪個階段，不論我們身處何地，美好的性愛都像雨露滋養大地一般，飽滿我們的身心靈。 十二篇引領你走向溫柔感動的故事……夜晚的街燈下、圖書館的角落、住院時的病房、異國之地、最後一次約會時……在這同時，閉起眼向某個存在祈求著。當性愛盈滿之時，生命就會燦然閃爍，所以性愛才會如此美好。 〈夜間散步〉 在帶有涼意的夜裡散步是弘明與惠理子的祕密興趣，四面而來的微風吹起了體內...(展开全部)