A celebration of the last great era of the cinematic sex siren - a time when the cultural revolution resulted in unprecedented liberation in the treatment of nudity on screen.The Sixties and Seventies was an era when actresses were not ashamed to be associated with the tag of 'Sex Goddess' or 'Sex Siren' and were not embarrassed to exploit their beauty and bodily charms to enha...(展开全部)

A celebration of the last great era of the cinematic sex siren - a time when the cultural revolution resulted in unprecedented liberation in the treatment of nudity on screen.The Sixties and Seventies was an era when actresses were not ashamed to be associated with the tag of 'Sex Goddess' or 'Sex Siren' and were not embarrassed to exploit their beauty and bodily charms to enha...(展开全部)

It is 1922 and Dr. Alan Twist, an authority in the occult sciences and the paranormal, has been invited by the lord of Cranston Manor in a remote corner of Cornwall to investigate a series of hauntings. His journey is interrupted by the shrill cries of a young woman. Everyone in the region believes that it is cursed by a siren, who emits Banshee calls. If they are heard by two ...(展开全部)

It is 1922 and Dr. Alan Twist, an authority in the occult sciences and the paranormal, has been invited by the lord of Cranston Manor in a remote corner of Cornwall to investigate a series of hauntings. His journey is interrupted by the shrill cries of a young woman. Everyone in the region believes that it is cursed by a siren, who emits Banshee calls. If they are heard by two ...(展开全部)

For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou's account of cinema. He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value ...(展开全部)

For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou's account of cinema. He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value ...(展开全部)

作者簡介 石田衣良 Ira Ishida 1960年生於東京，成蹊大學經濟系畢業。曾任職廣告公司，並以自由文案工作者活躍於業界。97年以《池袋西口公園》獲得《ALL讀物》第36屆推理小說新人獎。2001年的《娼年》及2002年的《骨音》分別為第126回及第128回直木賞候補作，2003年以《4TEEN》獲第 129 屆直木賞。作品題材廣泛，包括青少年犯罪小說、經濟犯罪懸疑小說、情慾小說、愛情小說等都是其創作領域。 譯者簡介 賴芯葳 東吳大學日文系畢業。自由譯者。譯有《貧困世代》、《想推薦給父母，自己也想住進去的幸福安養院》、《幸福到最後的希望飲食》。